|| produced by Glass Half Full Theatre | performed September 2014 at Salvage Vanguard Theater, Austin, TX | conceived & directed by Caroline Reck | scenic design by Caroline Reck & Connor Hopkins | costume design by Erin Meyer | lighting design by Megan M. Reilly | photography by Will Hollis Snider ||
"There is also a stunning lighting design by Megan Reilly. Each of the parts of this production shares an equal importance in telling this stunning, moving, ephemeral dream-story."
"K. Eliot Haynes’ lovely sound design pairs with Megan Reilly’s dynamic lighting to create a world for the play that runs the gamut of playful, serene, and sad. These production elements saturate the performance with atmosphere and serve as profound backdrop for Reck’s movements."
"The silence, Megan Reilly's lighting with changes that mark the passing hours of the days, Reck's unspeaking ingenuity and her longing for companionship -- all these establish a spirit of Zen-like concentration.
"Megan Reilly's lighting is top-tier, tripping on the effervescent textiles and metallic objects that comprise the flotilla at the center of it all."